Honest Stories and The Emperor’s New Groove

So like a complete sellout, I am adapting my post titles with this mainstream concept called “comprehension.”

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Disclaimer: Stuff belongs to Disney. Duh.

So like a complete sellout, I am adapting my post titles with this mainstream concept called “comprehension.”

Today, I’ll be looking at something which doesn’t quite have a term, though I suppose the best I can think of is the difference between genuine and disingenuous storytelling. Basically when a story feels like it can stand on its own, or if it’s just obvious pandering to a particular trend or idea.

We may have subjective tastes and values, but I think there’s something we can agree on: We can tell if a film is speaking to us, or at us. We can tell if a film is comfortable in its own skin, or trying too hard to be something it’s not.

And to do that, I think I’ll illustrate it with one of my favourite Disney films. It initially started as a conventional adventure, and was DRASTICALLY reinvented from the ground up as something else entirely. That decision was the greatest thing to ever happen in its existence, making it a beloved film to many for just being absolutely awesome.

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