Setbacks: In The Interests Of Conflict

“Things are going well. How are they going to slip up?”

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So here you are surfing the internet, thinking you can get on with your day of watching cat videos and streaming Fortnite. WHEN SUDDENLY, A WILD POST APPEARS TO DISTRACT YOU!

…What? No! Get back here! It’s an interruption I am powerless to enforce! Go on, make the mistake of reading it!

…Well, I suppose my plans have hit quite the setback, then.

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Iron Man: Does Whatever An Iron Can

Iron Man, Iron Man, does whatever an iron can. Straightens clothes, gets real hot, smashes you up the butt. Hey there! Here comes the Iron Man!

Well, it’s another of those things I’m looking to stock up in here: character crash courses! And this week, we’re talking about…what do you mean he’s already super popular, more than ever? As if I’d let that stop me!

A cool exec with a heart of steel. And, most importantly, severely crippling physical and psychological issues, and THE suit of high tech battle armour. To some of you, he’s Robert Downey Jr.. To others, he’s Iron Hitler, the asshole with the keys to the toybox.

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Nuanced characterisation was a casualty in other Civil War titles.

But really: Who is Iron Man? Has he lost his mind? Can he see or is he blind? Was he turned to steel in the great magnetic field?

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Honest Stories and The Emperor’s New Groove

So like a complete sellout, I am adapting my post titles with this mainstream concept called “comprehension.”

Disclaimer: Stuff belongs to Disney. Duh.

So like a complete sellout, I am adapting my post titles with this mainstream concept called “comprehension.”

Today, I’ll be looking at something which doesn’t quite have a term, though I suppose the best I can think of is the difference between genuine and disingenuous storytelling. Basically when a story feels like it can stand on its own, or if it’s just obvious pandering to a particular trend or idea.

We may have subjective tastes and values, but I think there’s something we can agree on: We can tell if a film is speaking to us, or at us. We can tell if a film is comfortable in its own skin, or trying too hard to be something it’s not.

And to do that, I think I’ll illustrate it with one of my favourite Disney films. It initially started as a conventional adventure, and was DRASTICALLY reinvented from the ground up as something else entirely. That decision was the greatest thing to ever happen in its existence, making it a beloved film to many for just being absolutely awesome.

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